Joe Brack (Andrei) is honored to be joining Constellation Theatre Company after portraying Tournel in A Flea In Her Ear, Angel/Old Clown in Crazyface, Figaro in The Marriage of Figaro, and Orestes in The Oresteia. Some of Joe’s favorite roles include: Failbetter Productions: Crave (A); Raleigh Ensemble Players: Floating Rhoda… (Barn); LiveWire Theatre: Romeo and Juliet (Mercutio); Actor’s Theatre of Washington: Never the Sinner (Richard Loeb); Forum Theatre: Marat/Sade (Patient/Voltaire); Washington Shakespeare Company: Peace (Havoc/DJ); Imagination Stage: Playing from the Heart (Colin), City Artistic Partnerships: The Santaland Diaries (David).

Katy Carkuff (Natasha) is a proud Associate Artist with Constellation and has performed in Crazyface, The Marriage of Figaro, The Oresteia, The Good Woman of Setzuan, The Arabian Nights, and A Dream Play. Local credits include Arena Stage: Redhand Guitar (workshop production); Everyman Theatre: Doubt; Forum Theatre: Marat/Sade; Firebelly Productions: Proof; Signature Theatre: Crave (u/s); and others. Atlanta credits include Georgia Shakespeare: MacBeth (tour); Theater Emory: As You Like It; Theatrical Outfit: Beehive!; Actor’s Express: Hedwig and the Angry Inch; Aurora Theatre: The Spitfire Grill; Dad’s Garage: One Flew Over the Cuckoo’s Nest, Debbie Does Dallas: the Musical, 8 ½ x 11, The Rocky Horror Show.

Michael John Casey (Vershinin) is thrilled to making his debut with Constellation Theatre. Other regional theatre credits include: African Continuum Theatre, Baltimore Shakespeare Festival, Catalyst Theater, Folger Theatre, Ford’s Theatre, Fulton Opera House, Geva Theatre, Imagination Stage, Keegan Theatre, The John F. Kennedy Center for the Performing Arts, Longacre Lea Productions, Project Y Theatre, Rochester Children’s Theatre, Rorschach Theatre, Shakespeare Theatre Company, Solas Nua and Washington Shakespeare Company. Training: MFA, Drama, Catholic University of America: BA, Theatre Arts, Nazareth College of Rochester.

Catherine Deadman (Masha) is thrilled to return to Constellation, having appeared in A Flea in her Ear, The Good Woman of Setzuan and A Dream Play. Other local credits include The Studio Theatre: Rock ‘n’ Roll, Ivanov, The Play About the Baby (u/s) and The Shape of Things (u/s); Studio 2ndStage: Dog Sees God (Helen Hayes nomination for Best Ensemble), Terrorism and Polaroid Stories; Catalyst Theater Company: Roundheads and Peakheads and The Trial; Actors’ Theater of Washington: Fatal Attraction: A Parody. She is a member of the Washington Improv Theater troupe 161 and a graduate of The Studio Theatre Acting Conservatory.

Billy Finn (Tuzenbach) is thrilled to be working with Constellation for the first time. Local credits include Folger Theatre: Much Ado About Nothing, Hamlet (upcoming); Kennedy Center: Teddy Roosevelt and the Ghostly Mistletoe; Shakespeare Theatre Company: King Lear, Dog in the Manger, Twelfth Night, Romeo and Juliet, Hamlet, Le Bourgeois Gentilhomme; Regional credits include Virginia Shakespeare Festival: Taming of the Shrew, Romeo and Juliet, Love’s Labor’s Lost, Othello; Henley Street Theatre Company: Much Ado about Nothing; Cousins Studio Theatre: Merchant of Venice, A Simple Piece of Cloth. Billy has a BA in Theatre Arts from the University of Richmond.

Lewis Freeman (Ferapont) was previously in Constellation’s productions of A Flea In Her Ear, The Marriage of Figaro and The Good Woman of Setzuan. In addition to his theatre work, he sings opera and oratorio, as well as teaching voice. Locally he has been featured with the Washington Bach Consort, Washington National Opera, Cathedral Choral Society, the In Series, Reston Chorale and Opera Theatre of Northern Virginia. Favorite opera roles include the title roles in Donizetti’s Don Pasquale, Rossini’s The Barber of Seville and Sousa’s El Capitan, and Germont in Verdi’s La Traviata.

Brian Hemmingsen (Chebutykin) was previously seen in Constellation Theatre Company’s production of The Oresteia. Local Credits: Forum Theatre Company: The Last Days of Judas Iscariot (Helen Hayes Nomination—Ensemble); Solas Nua: Woman and Scarecrow, Scenes from the Big Picture (Helen Hayes Nomination–Ensemble), Bedbound; Washington Shakespeare Company: Richard II, Waiting for Godot, Hamlet, among others; SCENA: Endgame (Helen Hayes Nomination—Lead Actor), among other shows; Horizons: Last Days at the Dixie Girl Café (Helen Hayes Nomination—Supporting Actor). He has also appeared in productions at Woolly Mammoth Theatre Company, Folger Theatre, Theatre Alliance, Theatre J, Factory 449 and Keegan Theatre.

Annie Houston (Anfisa) is thrilled to be working with Constellation Theatre Company. Other local credits include work at The Folger Theatre, Washington Shakespeare Company, Olney Theatre Center, Rep Stage, The American Century Theater, Theater Alliance, Fountainhead Theatre, and Open Theatre. She has understudied roles at The Shakespeare Theatre and performed a one woman show: Thicker Than Water, written with Steven Scot Mazzola. Next performance will be with Synetic Theater: Metamorphosis.

Nanna Ingvarsson (Olga) has previously appeared at Constellation in The Oresteia and The Marriage of Figaro. Local Credits: Forum Theatre Company: Angels in America, The Skriker; Solas Nua: Woman and Scarecrow, Scenes from the Big Picture (Helen Hayes nomination – Ensemble); Actor’s Theater of Washington: Vampire Lesbians of Sodom; Theater J: The Seagull on 16th Street; Washington Shakespeare Company: Lady Chatterly’s Lover, Fool for Love, The Birthday Party, among others; Longacre Lea: Man with Bags; Keegan: The Beauty Queen of Leenane, The Hostage; SCENA Theatre: Dark, After the Orgy; and Woolly Mammoth: The Rocky Horror Show (Helen Hayes Award)

Ashley Ivey (Kulygin) is proud to be an Associate Artist with Constellation Theatre Company. He has been seen in the Constellation productions of The Marriage of Figaro, Crazyface, The Marriage of Figaro, Temptation, The Oresteia, The Good Woman of Setzuan, and A Dream Play. Other Credits: In Series: Berliner Kabarett, Petpourri; Catalyst Theatre: 1984, The Trial; Forum Theatre: Marat/Sade; Open Circle Theatre: Songs for a New World; Actors Theater of Washington: Never the Sinner, The Ruffian on the Stair, The Vampire Lesbians of Sodom, The Rocky Horror Show, SEXE! The Floorshow! Regional: Contemporary American Theatre Festival: Wilder, The Late Henry Moss, Thief River.

Mark Krawczyk (Solyony) is appearing in his first Constellation Theatre production. Other credits include Theater J: The Seagull on 16th Street; Folger Theatre: The Winter’s Tale and Henry IV Part 1; Utah Shakespearean Festival: Hamlet, The Merry Wives of Windsor, and Room Service; Shakespeare Theatre Company: Hamlet (Swing) and Titus Andronicus (Swing); Baltimore Shakespeare Festival: The Taming of The Shrew; Everyman Theatre: Much Ado About Nothing; Imagination Stage: Lost and Foundling; INTERNATIONAL: Highway Diner Theatre Company & Without Gas Theatre Company. Mark has a BS in Theatre from Towson University and a MFA in Acting from Southern Methodist University. Mark is a member of the adjunct faculty at the Towson University Theatre Department.

Carl Brandt Long (Rodez) is pleased to make his debut with Constellation Theatre Company. Previous credits include Madcap Players: 7th Winter Carnival of New Works; Vpstart Crow: The Merchant of Venice, Much Ado About Nothing, Anne of the Thousand Days; Gray Ghost Theatre: The Gray Ghost; Tapestry Theatre: Richard III; Port City Players: Terra Nova; Richmond Shakespeare Festival: Romeo and Juliet; Chamberlayne Actor’s Theatre: Rough Crossing; Willoughby Fine Arts: Cyrano de Bergerac. He also directs and writes for the theatre, and is an Actor/Combatant with the Society of American Fight Directors. He studied Theatre and Mathematics at Grinnell College.

Amy Quiggins (Irina) is excited to return to Constellation Theatre Company after having performed in Crazyface and The Oresteia. Other credits include: Arts Alive Theatre at Montgomery College and Happenstance Theatre: Three Fantasies; Rorschach Theatre: Living Dead In Denmark; Shakespeare Theatre Company u/s: Argonautika, Don Juan; Ford’s Theatre: A Christmas Carol; The American Century Theater: USA, The Second Man and The Seven Year Itch; Austin Free Shakespeare Society: The Honest Whore, The Two Gentlemen of Verona. Amy has an MFA from Shakespeare Theatre Company’s Academy for Classical Acting at George Washington University: The Maid’s Tragedy, The Merry Wives of Windsor.

Scott Ziegler (Fedotik) hails from Northern Virginia and is happy to be working with Constellation Theatre Company again after performing as the Dancer in Temptation. Other Credits: The Journeyman Theater Company: Tartuffe, The Hegira; Anna K. Firebelly Theater; Nothing Sacred. The Barter Theater; Mother Courage, The Lion in Winter, Miracle on 34th Street. Scott has a theater performance degree from Greensboro college in North Carolina.